The most common argument is that while both have their roots in the 120 BPM range, Brazilian Bass production is more club-oriented than Slap House, with less high-pitched sound design and more melodic, radio-friendly elements. The Brazilian Bass genre has taken its rightful place in the dance music scene and isn’t about to go away. Mello has hired one of the most famous sound designers in the bass music scene to launch an assault on the senses. Led by the undisputed leader Aloc, the Brazilian bass sound has literally exploded in “his” country, and is also gaining momentum in the U.S. And, like a chimney, it’s only a matter of time before the genre explodes and spreads through the modern music scene. These pioneering producers played a crucial role in developing the early sounds of electronic music and introducing it to the masses. Royalty investment platform Republic.co offers small investors another exciting new opportunity that could determine the long-term future of commercial music. T’s a reason EDM is so popular in Brazil: that country is currently producing electronic music like a broken printing press. A closely related electronic sub-genre called slap house is making its way into the market thanks to artists like Topic and Imanbek. The track has finally been released with an official video reminiscent of the hedonistic music festival nights of yesteryear. Essentially, Slap House is a jalapeno of Brazilian bassist Ghost Pepper. Here are 10 Brazilian artists who currently dominate the streaming market. After SAINt JHNs Roses remix exploded like an extinguished volcano in the summer of 2020, the debate about the difference between the two genres has been raging ever since. The emergence of this type of music is no accident. The Brazilian duo again managed to turn the original into an exquisite deep house anthem.